Import collectibles and publishing
from Europe to the United Kingdom

Start with language, because it is the one advantage no local distributor can undercut. Spanish-language editions printed in Spain and Portuguese editions printed in Portugal are frequently the versions your customers actually want, and they arrive in Latin American markets late, in small allocations or never. Publishers like Norma Editorial, Planeta Cómic and Devir, and the Franco-Belgian houses behind the bande dessinée catalogue, sit at the centre of that. Add Taschen for art and photography books, whose formats and editions are a European proposition first.

The second axis is the hobby trade. Games Workshop's Warhammer ranges, Asmodee's board game catalogue, LEGO's European assortment, Panini's collections, model kits from Italeri and Revell, EU pressings on vinyl and European print runs of trading cards all carry regional exclusives and edition differences that make a specialist shop's window look different from everyone else's.

Third, the backlist: European stock persists on titles and references that are out of print or unavailable in your market, which is often where the margin is for a specialist retailer. Commercial terms are between you and each publisher or distributor — trade accounts, minimum orders and territorial agreements are theirs to set. What we do is receive from all of them into one address and send you one shipment.

Three things decide what a UK import costs you. The first is duty, and here the UK is unusually favourable to European sourcing: under the UK–EU Trade and Cooperation Agreement, goods of genuine EU origin can be imported at 0% duty when the exporter provides a statement on origin on the invoice, or when you hold importer's knowledge.

Miss the paperwork and your broker applies the UK Global Tariff instead — roughly 12% on cotton garments, around 16% on sports footwear, 0% on most electronics. The saving is real and it is administrative, which is why we push your suppliers for the origin wording before the goods move rather than after.

The second is import VAT at 20%, which applies to commercial imports regardless of value. If you are VAT-registered you will normally recover it, and postponed VAT accounting lets you account for it on your return instead of paying at the border — a cash-flow difference worth setting up before your first shipment.

The third is registration: you need a GB EORI number to import commercially, and the £135 consignment rule people quote from consumer articles is a supply-VAT rule for sales to consumers, not an exemption for a company's stock purchase.

Two operational realities shape this category. The first is weight: paper is dense, and a pallet of books or a case of hardbacks costs far more to move than its volume suggests. That pushes you towards larger, less frequent consignments and towards sea freight where your replenishment cycle can absorb the transit — which is a planning decision, not something we can fix with a better rate.

The second is condition. Collectibles are sold on condition, so a corner crushed in transit is a markdown or a return. We repack for protection where the original packaging is not up to an international leg, and we will photograph condition on arrival if you ask, so that a claim starts from evidence rather than memory.

There is also one tax rule genuinely worth knowing, because it changes the arithmetic more than anything on this page: in Brazil, books, newspapers and periodicals — and the paper used to print them — enjoy constitutional tax immunity.

That does not automatically make every shipment free of every charge, and it does not extend to games, miniatures or toys, but for a bookshop importing printed matter into Brazil it is a materially different calculation from importing collectible figures. Confirm the treatment of your specific goods with your despachante; it is the first thing we would check in your position.